‘Something Anxious’ at Hollywood Fringe Festival 2026

“Something Anxious” at this year’s Hollywood Fringe Festival presents two one-act plays within an hour connected through tone, tension and the feeling of being trapped in situations that are both funny and unsettling.

First up, “Anxious Attachment,” leans into technology, isolation and escape, while “Something Ancient” shifts into apocalyptic family dysfunction. Together, both plays create an evening that is simple in structure but effective in execution.

“Anxious Attachment,” written by Douglas Clarke, follows a young man who chooses to live inside an AI simulation to escape the pain of real life. But as the simulation begins to feel less like a fantasy and more like a trap, the question becomes whether he can return to reality or if he will make it out alive at all.

The performances in this production work well with the tone of the piece. The actors make simple choices that keep the audience slightly aloof until the given circumstances become clear. I was able to hear everyone clearly, and the chemistry worked well for the story being told. Tyler Davidson and Patrick Beakstead shine as characters Tyler and Patrick, bringing focus and clarity to the play's central relationship.

Clarke’s direction of his play is simple, which works for this production. The blocking and staging are appropriate, and Clarke makes good use of a second floor, which helps give the production depth.

One of the strongest directorial choices comes when Leila (Leila Elihu), Ethan (Cameron Jenkins) and Cameron (Cameron Gregg) stand on three blocks after Patrick breaks into Tyler’s room. That moment helps crystallize the situation and gives the scene a clear visual impact.

What I appreciate most about “Anxious Attachment” is the simplicity of the writing and the way it gives the actors space to make choices. The transition into “Something Ancient” is also creative and helps set the tone for the second piece without feeling disconnected.

“Something Ancient,” written by Michael Silva, is an apocalyptic dramedy that follows a dysfunctional family trying to hold themselves together against the backdrop of the end of the world.

The entire cast commits to their roles, and the chemistry across the board is palpable. I was able to hear everyone clearly, and the comedic timing of the ensemble is on point. The humor lands consistently and leaves you wanting more from the world of the play.

A death scene with Richard Cardone (Nick Salas) and Kyle Cardone (Andres Simonian) is a standout moment in this one-act and gives the production one of its most memorable beats.

The set design is simple and only provides what is needed to move the story forward. This works for the production because the focus remains on the family dynamic, the comedic rhythm and the growing chaos around the character.

Silva’s direction of his play is sharp, simple and keeps the audience on its toes. The lighthearted comedic tone resonates throughout the production, but Silva is also able to slip in thoughtful commentary through humor.

Blocking and staging are strong overall, though the fight scenes could be tighter. One creative choice that stood out was the use of intermittent strobe lights when Carly Cardone (Allie McCarthy) enters during the final scene. It adds energy and helps heighten the moment visually.

An emergency warning playing during scene transitions is a nice touch and helps crystallize what is happening in the world of the play. Costume design, makeup, fog machine and other special effects also add to the overall aesthetic and help shape the apocalyptic tone.

Overall, “Something Anxious” is a solid Fringe offering as an entertaining double feature. The two short plays are distinct but feel connected through their darker sense of humor, heightened circumstances and simple but effective staging.

For tickets to this and other Hollywood Fringe Festival shows, visit HollywoodFringe.org.