Henri Lubatti (King Berenger) in "Exit the King" at A Noise Within (Photo by Craig Schwartz) A play called “Exit the King” seems perfect now when democratic values and personal freedoms are under threat by a president who seems to have monarchical ambitions. Eugène Ionesco’s 1962 play, currently on stage at A Noise Within, does skewer tyrannical behavior, but also makes clear that the tyrant is each of us. Translated from the French by Donald Watson and directed by Michael Mi

Cast of "Made in Brasil: Solo Works" at Highways Performance Space (Photo courtesy of the show) Created and produced by Leopold Nunan and directed by Bia Oliveira, “Made in Brasil: Solo Works” at Highways Performance Space is more than just a night of solo performances. It is an immersive celebration of Brazilian artists, culture and identity that begins the moment one walks in the doors. Before the first act even begins, the production sets a tone that feels intimate, commun

From left: Chuma Gault and Jason Delane in "Hymn" at Odyssey Theatre (Photo by Cooper Bates) One of the great powers of theatre is that it can evoke entire worlds and lives on a simple wooden stage, and with only a couple of immersed actors. Such is the case with “Hymn” at the Odyssey Theatre, co-produced with Lower Depth Theatre and written by Lolita Chakrabarti — who also adapted the novel “Life of Pi” for the stage — portraying two English brothers forever changed after fi

From left: Sawyer Reece Maier, Abel Miramontes and Paul Burt in Alchemy Theatre Company's "Murder on the Orient Express" (Photo by Katelyn Abaya) All aboard! Present your tickets for a first-class ride through “Murder on the Orient Express,” adapted by Ken Ludwig from Agatha Christie’s 1934 novel of the same name and fantastically presented by Alchemy Theatre Company at the Yorba Linda Cultural Arts Center. World-famous Belgian detective Hercule Poirot (superbly played by Ab

This review was originally published in the Long Beach Post, a nonprofit news organization, on May 7, 2026. From left: Aaron Pelt, Andrew Laughery, Michael Taber, Cassie Korrie, Charles Massaro and Nate McFadden in "Tea with Shakespeare: The Merchant of Venice" at the Historic Bembridge House. Photo courtesy of Michael Taber. Perhaps the only thing that could make a Shakespeare play better is staging it in a historic Long Beach house with full tea service and, yes, maybe shor

This review was originally published in the Long Beach Post, a nonprofit news organization, on May 7, 2026. From left: Bruce Nozick and Anna Van Valin in "Warsaw" at International City Theatre. Photo by Jordan Gohara. Sometimes the past is more intertwined with the present than you’d think, and more able to change it than you’d expect. “Warsaw,” a new play by Paul Webb — a British playwright who wrote the screenplay for the 2015 movie “Selma” — explores just that kind of hist

From left: Marcel Licera and Suzy London in "The Young and the Rest of Us" at Group Rep Theatre (Photo by Doug Engalla) Tamir Yardenne’s new play “The Young and the Rest of Us,” directed by Douglas Jewell in its world premiere at the Group Repertory Theatre, is a chaotic, satirical dark comedy that blends a murder mystery with the emotionally heightened world of soap opera culture. Set on the night a long-running soap-opera series celebrates its Emmy nominations, the play fol

Aynsley Bubbico (Jake's Mom) in "Millennials Are Killing Musicals" at The Colony Theatre (Photo by Ashley Erikson) If the title alone of “Millennials are Killing Musicals” intrigues you, know that the show fully delivers on its suggestion of theatrical fun. With a talented, high-energy cast and a story that reflects our digital times using immersive projections, this world-premiere musical by Nico Juber at The Colony Theatre is #fabulous. Juber first wrote the musical as a 90

From left: Jah Shams and Kimberly Bailey in "Colored People's Time: A History Play" at The Robey Theatre Company (Photo by Kermit Carlyle Photography) Leslie Lee’s “Colored People’s Time: A History Play,” directed by Ben Guillory at The Robey Theatre Company, is a powerful series of vignettes that moves through different eras of Black American history, roughly from the 1850s to the 1950s. The play touches on slavery, Jim Crow, the Harlem Renaissance, racism in entertainment a

From left: Bre Melino and Leilani Nicol in "An Ode to Parenting" at Stephanie Feury Studio Theatre (Photo by Chance Lang) “An Ode to Parenting,” written and directed by Chance Lang and presented at the Stephanie Feury Studio Theatre, is a collection of five, two-person vignettes that explore parenting as an ongoing experience shaped by love, sacrifice and personal evolution. Each piece stands on its own while contributing to a larger examination of family, touching on themes

From left: Lucy Rodriguez (Mercy) and Sal Lopez (Serafina) in Latino Theater Company's "The Storyteller of East LA" (Photo by Grettel Cortes Photography) Latino Theater Company’s world premiere of “The Storyteller of East LA” offers the best kind of theatrical experience — an intimate, beautifully produced and directed story that will make you laugh even as it moves you to tears. The production is infused with the talents of Latino Theater Company members, many of whom are fo

From left: Richard Baird and Louis Lotorto in "The Maltese Falcon" at Laguna Playhouse (Photo by Aaron Rumley) Using more contorted similes and metaphors than an English professor teaching romantic poetry to hard-boiled detectives, “The Maltese Falcon” at Laguna Playhouse delivers chuckles with a side of noir. A new commissioned play by Matthew Salazar-Thompson that recently premiered at North Coast Rep, “The Maltese Falcon” sends up Dashiell Hammett’s 1930 novel while remain

Scene from MUSE/IQUE's "Back to Oz" at the Mark Taper Forum (Photo by Haoyuan Ren for MUSE/IQUE) Local orchestral ensemble MUSE/IQUE — whose goal is to produce accessible, live, immersive music for all — has achieved that mission with “Back to Oz” at the Mark Taper Forum. “Back to Oz” offers a polished showcase of the enduring cultural impact of “The Wizard of Oz” — from L. Frank Baum’s original 1900 novel to the 1939 MGM musical film starring Judy Garland to “The Wiz” in 197

From left: Casey Morris (Todd) and Carolina Rodriguez (Susan) in "Blue Kiss" at Ruskin Group Theatre (Photo by Amelia Mulkey) Stephen Fife’s play “Blue Kiss,” directed by Mike Reilly and having its world premiere at the Ruskin Group Theatre’s new Audre Stage, is an intimate, dialogue-driven drama that leans heavily on tension, perception and psychological unraveling. The play follows Susan (Carolina Rodriguez), a high school student who meets Todd (Casey Morris), an English t

From left: Ben Beatty (Hally) and John Kani (Sam) in "'Master Harold'...and the Boys" at Geffen Playhouse (Photo by Jeff Lorch) South African playwright Athol Fugard’s “’Master Harold’…and the Boys” was first staged in 1982, before apartheid ended in 1990, but set in 1950, two years after that racially segregationist policy was implemented. The play features two Black South African men and the younger white “Master Harold” (or Hally) who is buddies with them — to a point. The

This review was originally published in the Long Beach Post , a nonprofit news organization, on April 17, 2026. Scene from "Harvey" at Long Beach Playhouse. Photo by Mike Hardy. Long Beach Playhouse executive director Madison Mooney recently said that “Harvey” is just the sort of play we need right now. And she’s right. If you are among those trading your smartphone for a flip phone, resisting ChatGPT and wondering where common decency went, “Harvey” is all that rolled up i

This article was originally published in the Long Beach Post, a nonprofit news organization, on April 16, 2026. Ensemble cast of Musical Theatre West's current production of "In the Heights." Photo courtesy of the theater. Before his hugely successful musical “Hamilton,” Lin-Manuel Miranda wrote “In the Heights” — about a vibrant, close-knit New York immigrant community filled with songs and dreams, but also secrets. Musical Theatre West is currently staging the Tony Award-

From left: Crystal Yvonne Jackson (Scilla) and Monty Renfrow (Renton) in "Twisted" at Theatre West (Photo by Garry M. Kluger) Chris DiGiovanni’s new play “Twisted,” directed by Marc Antonio Pritchett at Theatre West, is a contemporary drama set in the suburbs of Philadelphia that centers on Scilla Claroe (Crystal Yvonne Jackson), a struggling writer preparing to document the story of Renton Downey (Monty Renfrow), a man on death row for a mass shooting. As Scilla interviews R

From left: Pierre Adeli (Mr. Zero) and Mariana Jacuzzi (Ms. Devore) in "The Adding Machine" at The Actors' Gang (Photo by Bob Turton Photography) How do you enslave yourself? What soulless thing do you regularly do because you believe you have to, even though it detracts from your sense of life’s beauty and joy? Despite its calculating title, those are the questions behind “The Adding Machine,” boldly staged by The Actors’ Gang through this weekend. Creatively directed by Cih

From left: Mathias Brinda, Xol Gonzalez, and Khalif J. Gillett in “Level Up!” (Photo by Jenny Graham) From the moment you walk into the Latino Theater Company to see “Level Up!,” you feel like you’re in The Matrix . Credit for that goes to scenic designer François-Pierre Couture, lighting designer Xinyuan Li, sound designer Robert J. Revell and especially projections designer Hsuan-Kuang Hsieh. It’s not often that the creative team behind a play is mentioned first in a theatr