Review: Compelling ‘Black Bastard’ at Santa Monica Playhouse
- Dondre Tuck
- 23 minutes ago
- 2 min read
“Black Bastard” is a compelling one-man show written and performed by Jon Gentry, directed with precision by Shinelle Azoroh. The production follows Gentry’s personal journey from childhood to adulthood, exploring themes of identity, family dynamics and self-discovery. Set in Houston, Texas, the story follows his experiences growing up, questioning his place in the world and ultimately reclaiming his name and sense of self.
Gentry’s performance is raw, quirky and deeply honest. He engages the audience with clarity and charisma, creating a genuine connection that draws the audience into his world. A particularly creative element involves Gentry breaking the fourth wall during pivotal moments to invite the audience into his thought process — an effective tool that adds both intimacy and energy to the performance.
Director Shingle Azoroh’s influence is felt throughout. The pacing is tight, the staging is dynamic, and each movement feels intentional. Azoroh artistically guides the audience through Gentry’s emotional highs and lows without the show ever feeling stagnant or rushed.
Visually, the production is simple yet expressive. Costume changes cleverly mark different stages in Gentry’s life, from graphic tees in his youth to a suit jacket in adulthood. Lighting design enhances each mood with vivid, thoughtful color choices, while sound cues — though minimal — are precise and impactful, effectively supporting the narrative without distraction.
At its core, the show is a thoughtful exploration of identity. One defining moment arises when Gentry realizes he has a different last name from his siblings, sparking a lifelong reflection on family, belonging and personal truth. This thread deepens when a high school peer labels him a “bastard,” giving the title its emotional weight and symbolic resonance.
The audience responded warmly at the performance I attended, laughing at humorous moments and leaning in during Gentry’s more vulnerable reflections. The show maintains the audience’s full engagement from beginning to end — so much so that it left many, myself included, wanting more.
“Black Bastard” is an insightful and beautifully paced performance that sheds light on complex familial relationships and the journey toward self-acceptance. It's a must-see for anyone seeking a heartfelt, thought-provoking theatrical experience.
“Black Bastard” performed June 12, 14 and 15 at Santa Monica Playhouse, 1211 4th St., Santa Monica, as part of the theatre’s Black History [every] Month project. For more information, visit SantaMonicaPlayhouse.com and TheeJonGentry.com.
Comentários